As the buzz would have it, there is much to find troubling about Ridley Scott‘s Exodus: Gods and Kings. Mainstream reviewers are bemoaning the lack of meaningful dialogue, the strangeness of God-as-an-11-year-old-boy, and even the racism in the casting. One critic, writing for OnFaith, suggested that the value of the movie is in the way it projects our discomfort onto the ancient story, giving voice through Pharaoh to a question we have longed to ask: “Is this your god? Kille